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Movies / TV

[Movie News] In Theaters This Week – November 19, 2021

by Tori Ann
written by Tori Ann

In Theaters 3.6.20

For many, the big movie to see this weekend is the latest Ghostbusters film, but there are quite a few other releases worthy of your attention. There’s an animated film about two creatures that time travel only to find that their species is now extinct, a documentary about singer/songwriter Alanis Morissette during the making of her breakout album, a film about how Serena and Venus Williams became the tennis superstars they are today under the coaching of their father, and much more!

C’Mon C’Mon (R)

A radio journalist embarks on a cross-country trip with his young nephew.

Directed by Mike Mills

Starring: Joaquin Phoenix, Gaby Hoffmann, Woody Norman, Scoot McNairy, Molly Webster

Release date: November 19

Extinct

Op and Ed accidentally time-travel from the Galapagos Islands in 1835 to present-day Shanghai. They make their way through the city in confusion and make the horrifying discovery that the species to which they belong became extinct shortly after.

Directed by David Silverman, Raymond S. Persi

Starring: Adam Devine, Rachel Bloom, Ken Jeong, Zazie Beetz, Catherine O’Hara

Release date: November 19

The Feast

Filmed in Welsh, the picture follows a young woman serving privileged guests at a dinner party in a remote house in rural Wales. The assembled guests do not realize they are about to eat their last supper.

Directed by Lee Haven Jones

Starring: Annes Elwy, Nia Roberts, Julian Lewis Jones, Steffan Cennydd, Sion Alun Davies

Release date: November 19

Ghostbusters: Afterlife (PG-13)

When a single mom and her two kids arrive in a small town, they begin to discover their connection to the original Ghostbusters and the secret legacy their grandfather left behind.

Directed by Jason Reitman

Starring: Finn Wolfhard, Mckenna Grace, Carrie Coon, Sigourney Weaver, Bill Murray

Release date: November 19

A House on the Bayou

Follows a troubled couple and their daughter who go on vacation to an isolated house in the Louisiana bayou to reconnect as a family. But when unexpected visitors arrive, the unity starts to unravel.

Directed by Alec McAuley

Starring: Lia McHugh, Angela Sarafyan, Paul Schneider, Jacob Lofland, Lauren Richards

Release date: November 19

Jagged

Documentary centers on the life and work of Canadian singer-songwriter Alanis Morissette while making her breakout album ‘Jagged Little Pill’

Directed by Alison Klayman

Starring: Taylor Hawkins, Shirley Manson, Alanis Morissette, Kevin Smith

Release date: November 18

King Richard (PG-13)

A look at how tennis superstars Venus and Serena Williams became who they are after the coaching from their father Richard Williams.

Directed by Reinaldo Marcus Green

Starring: Will Smith, Aunjanue Ellis, Jon Bernthal, Saniyya Sidney, Tony Goldwyn

Release date: November 19

Zeros and Ones (R)

An American soldier stationed in Rome with the Vatican blown up, embarks on a hero’s journey to uncover and defend against an unknown enemy threatening the entire world.

Directed by Abel Ferrara

Starring: Ethan Hawke, Valerio Mastandrea, Cristina Chiriac, Babak Karimi, Salvatore Ruocco

Release date: November 19

What movies are you excited to see this week?

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ConventionsMovies / TV

[Comic-Con@Home] Watch the Most Excellent BILL & TED FACE THE MUSIC Panel!

by Jason Bennett
written by Jason Bennett

Orion Pictures‘ BILL & TED FACE THE MUSIC gave the most excellent panel discussion at this year’s Comic-Con@Home. Moderated by Kevin Smith, this panel included cast members Keanu Reeves, Alex Winter, Samara Weaving, Brigette Lundy-Paine, and William Sadler, as well as director Dean Parisot and screenwriters Chris Matheson and Ed Solomon. Fans can watch the panel below.

BILL & TED FACE THE MUSIC

Release Date: August 28, 2020
Director: Dean Parisot
Producers: Alex Winter, Ed Solomon, Scott Kroopf, Alex Lebovici, Steve Ponce, David Haring
Screenplay by: Chris Matheson, Ed Solomon
Cast: Keanu Reeves, Alex Winter, Samara Weaving, Brigette Lundy-Paine, Kid Cudi, Kristen Schaal, Anthony Carrigan, Erinn Hayes, Jayma Mays, Jillian Bell, Holland Taylor, Beck Bennett, William Sadler, Hal Landon Jr. and Amy Stoch

SYNOPSIS:

The stakes are higher than ever for the time-traveling exploits of William “Bill” S. Preston Esq. and Theodore “Ted” Logan. Yet to fulfill their rock and roll destiny, the now middle aged best friends set out on a new adventure when a visitor from the future warns them that only their song can save life as we know it. Along the way, they will be helped by their daughters, a new batch of historical figures, and a few music legends – to seek the song that will set their world right and bring harmony in the universe.

Bill & Ted Face the Music is directed by Dean Parisot (Galaxy Quest), from a screenplay by Chris Matheson and Ed Solomon (Bill & Ted’s Excellent Adventure, Bill & Ted’s Bogus Journey) – and produced by Scott Kroopf, Alex Lebovici, and Steve Ponce.

BILL & TED FACE THE MUSIC Gallery

Please wait while flipbook is loading. For more related info, FAQs and issues please refer to DearFlip WordPress Flipbook Plugin Help documentation.

BILL & TED FACE THE MUSIC will be released
on demand and in theaters on August 28, 2020.

BILL & TED FACE THE MUSIC Official Channels:
OFFICIAL WEBSITE: www.BillandTed3.com
INSTAGRAM: www.instagram.com/BillandTed3
HASHTAGS: #BillAndTed3 #FaceTheMusic

Comic-Con International: San Diego (SDCC)

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Movies / TV

[Movie News] In Theaters This Week – October 18, 2019

by Tori Ann
written by Tori Ann

The new movies in theaters this weekend cover quite the spectrum of films. First off, there is the sequel to Disney’s Maleficent film, showing that even the fairytales we love can have another perspective to them. Another sequel out this weekend is to 2009’s Zombieland, giving fans another dose of zombie hunting. Also new are a number of foreign films, a thriller about two lighthouse keepers in 1980’s New England, a Jay and Silent Bob reboot, and much more!

By the Grace of God

The three men, friends of childhood, will cross, compare their personal experiences and question their life of couple, family and professional.

Directed by François Ozon

Starring: Melvil Poupaud, Denis Ménochet, Swann Arlaud, Éric Caravaca, François Marthouret

Release date: October 18

The Captain

The film is based on a real-life incident in May 2018, when the cockpit windshield of a Sichuan Airlines flight shattered while the plane was flying 30,000 feet above the Tibetan Plateau. The co-pilot was sucked halfway out of the cockpit and passengers started losing consciousness due to low pressure, but the captain managed to land the plane safely.

Directed by Andrew Lau

Starring: Hanyu Zhang, Hao Ou, Jiang Du, Quan Yuan, Tain’ai Zhang

Release date: October 18

Cyrano, My Love (R)

December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: “Cyrano de Bergerac”.

Directed by Alexis Michalik

Starring: Thomas Solivérès, Olivier Gourmet, Mathilde Seigner, Tom Leeb, Lucie Boujenah

Release date: October 18

Greener Grass

Suburban soccer moms find themselves constantly competing against each other in their personal lives as their kids settle their differences on the field.

Directed by Jocelyn DeBoer, Dawn Luebbe

Starring: D’arcy Carden, Dot-Marie Jones, Neil Casey, Mary Holland, Beck Bennett

Release date: October 18

Jay and Silent Bob Reboot (R)

Jay and Silent Bob return to Hollywood to stop a reboot of ‘Bluntman and Chronic’ movie from getting made.

Directed by Kevin Smith

Starring: Melissa Benoist, Matt Damon, Chris Hemsworth, Ben Affleck, Rosario Dawson

Release date: October 15

Jojo Rabbit (PG-13)

A young boy in Hitler’s army finds out his mother is hiding a Jewish girl in their home.

Directed by Taika Waititi

Starring: Roman Griffin Davis, Thomasin McKenzie, Scarlett Johansson, Taika Waititi, Sam Rockwell

Release date: October 18

The Lighthouse (R)

The hypnotic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s.

Directed by Robert Eggers

Starring: Willem Dafoe, Robert Pattinson, Valeriia Karaman

Release date: October 18

Maleficent: Mistress of Evil (PG)

Maleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies, and dark new forces at play.

Directed by Joachim Rønning

Starring: Angelina Jolie, Elle Fanning, Harris Dickinson, Michelle Pfeiffer, Sam Riley

Release date: October 18

Serendipity

Serendipity began as a book, published on the occasion of Prune Nourry’s solo show at the Guimet National Asian Art Museum in Paris in 2017. The French-born, New York-based artist has spent the majority of her artistic career creating work that deals with women’s bodies and female fertility. A recent breast cancer diagnosis led Nourry to create Serendipity-now in the form of a stunning first-person documentary-which captures the subsequent evolution of her body, her work, her soul, and her mind. This impassioned, beautiful film embodies the artist’s belief that everything is connected, coincidence is an illusion, and “the essentials to life really are health, love, and art.”

Directed by Prine Nourry

Starring: Prune Nourry, Agnès Varda

Release date: October 18 (Limited)

Zombieland: Double Tap (R)

Columbus, Tallahassee, Wichita, and Little Rock move to the American heartland as they face off against evolved zombies, fellow survivors, and the growing pains of the snarky makeshift family.

Directed by Ruben Fleischer

Starring: Zoey Deutch, Abigail Breslin, Emma Stone, Woody Harrelson, Jesse Eisenberg

Release date: October 18

What new movies will you be seeing in theaters this weekend?

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Comic BooksHistory

[Comic Book History] Counting to 1000 – A Look at Hidden Gems in DC Comics’ DETECTIVE COMICS Run

by Adrian Care
written by Adrian Care

The release of Detective Comics milestone 1000th issue is upon us.  While Action Comics has already achieved this significant number, there’s something even more special about the longstanding home of Batman (and other creations) hitting four digits.

It’s what DC Comics stands for. It’s survived downturns and reboots. Outlasted countless crises and implosions. It’s been home to some of the most significant creators to ever leave their mark, not only on the dark knight detective but on the entire comic book industry.

Robin debuted in Detective Comics. Batgirl too. Neal Adams first rendered his iconic take on Batman in the pages of Detective. Steve Englehart and Marshall Rogers’ run on the title was iconic and held in high regard by fandom. Artists of huge renown like Norm Breyfogle and Dick Giordano were showcased here. Scott Snyder, whose name is solidified in Bat-history, began with the character on this title too.

Countless creators have breathed life into this pillar of comic book history. Numerous editors, writers, artists, colorists, letterers, and inkers.

Before you run to the comic shop or hit download on Comixology on March 27th, brush up on some great work that may have fallen between the cracks during Detective Comics‘s 1000-issue reign.

Some are personal favorites, some are hidden gems or quirky deep-cuts. But below are some memorable moments of Detective Comics that deserve every fan’s attention and recognition alongside the more popular and well-known moments in Batman lore.

Detective Comics 821-851

Written by Paul Dini (with fill-ins from Royal McGraw, John Rozum, and Stuart Moore) and penciled by Don Kramer, Dustin Ngyuyen and J.H. Williams III. Transplanting Dini from the award-winning work on the Batman animated series and onto an ongoing Batman book was a no-brainer. The Mad Love writer’s work elevates all involved to the next level, right down to the pulp noir covers by Simone Bianchi. The majority of Dini’s run were self-contained “one-and-done” issues with the occasional two-part or multi-part storyline thrown in at exactly the right points. This was pure comic book storytelling. Dini reformed the Riddler to become less a joke and more of an ally or competitive equal to Batman. This run introduced new creation Façade, a new Ventriloquist, and a rogue’s gallery of guests and villains that included Catwoman, Harley Quinn, Poison Ivy, Penguin, Zatanna, Ra’s Al Ghul, the Mad Hatter, and the Joker (in one of the greatest single Joker issues in modern comics). Dini’s run also built on Jeph Loeb and Jim Lee’s Hush with the astounding follow up “Heart of Hush”. You can find some of these stories collected in the Batman: Detective and Private Casebook trades.

Detective Comics 527-566

Doug Moench began a run on the book in 1983 that is indexed by some truly fantastic covers (by Gene Colan at a career peak). 40 straight issues of the most consistent storytelling you’re likely to find, and in the midst of a pre- and post-Crisis on Infinite Earths reshuffle, no less. No title comes to mind that holds as strong during a company-wide crossover as these issues do. Especially in our era of the tentpole summer event. Forgotten foe Nocturna was an important character throughout the run. The adventures of the pre-crisis Jason Todd (we hardly knew ye). Deadshot. Catman. Scarecrow. Black Mask, Calendar Man, and Film Freak. Villains that should otherwise induce eye-rolls were given as much credence as top-tier arch-foes. There’s an eighties version of the now famed BatCat romance. Real development in the character of Harvey Bullock. Adventures through the urban sprawl of Gotham City that were as thrilling as they were seedy and ominous. This run is underscored by ongoing Green Arrow back-up features and capped off by writer Harlan Ellison’s issue 567. The totally awesome and offbeat “The Night of Thanks, But No Thanks.”

Detective Comics
64-83, 85, 95, 97, 107-110, 440, 442

Jack Kirby. The King himself graced the pages of one of the flagship titles in comics history on a few occasions. An eclectic mix of contributions, Kirby provided inks, covers, and art at different intervals and told tales of the Boy Commandos. When he crossed over to DC in the ‘70s, he dropped back in on Detective with a Paul Kirk Manhunter backup (issues 440 and 442).

Detective Comics 480- 526

Don Newton must be one of the most underrated artists in comics history, let alone underrated Batman artists. Reported to have a greater fondness for his own work on DC’s Captain Marvel (the one true Captain Marvel), his dark and brutally human work on Detective Comics is seriously worthy of admiration. You can see the influence of Neal Adams in it, but it was its own thing and there are echoes of it in the works of artists like Rags Morales and Dale Eaglesham today. He shaded a darker tone to even the silliest of Gotham’s rogues and his layouts and sense of dramatic storytelling was uncanny. His work on the title culminated in the eye-popping, gorgeous visuals in issue 526’s “All My Enemies Against Me” anniversary issue. Some of his work has been collected in Tales of the Batman: Don Newton trade paperback.

Detective Comics 800-814

David Lapham. The urban crime master behind Stray Bullets proved another perfect fit for Detective Comics. Right before Infinite Crisis and One Year Later (hang around for James Robinsons great short stint following this run). Laphams run was the 12 part “City of Crime” storyline with a brief interlude for the War Crimes crossover. It features a deadlier, more homicidal, Ventriloquist and Gotham City at it’s most viscerally dangerous. Lapham provides covers alongside writing duties, but the interiors are carried out just as ably by Ramon Bachs. If you like your Batman stories down, dirty and covered in grit you need to track down these issues.

Detective Comics 418, 483-485

Another surprising name to contribute work to Detective is Steve Ditko. Across the 70s, the co-creator of Spider-man and Dr. Strange has a scant five credits to his name on Detective Comics. Issue 418’s “and be a villain” is “respectfully dedicated to Steve Ditko”. Later Ditko would pencil a back-up feature of Etrigan the Demon in a story written by legendary Len Wein.

Detective Comics 635-367

Louise Jones Simonson has made her mark on every hot title across the big two. Superman, X-Factor, New Mutants, Star Wars. You name it. But this triptych run on Detective begs to be reawakened via collection or spotlighted (appropriately) on a digital platform. A computer-generated nightmare that has Batman and Robin questioning if they can trust their wits and instincts. The dynamic duo descends deep into a deadly game to save Gotham AND the person tormenting the city.

Detective Comics 569-581

Following on from Doug Moench is one thing. Being tasked with following Frank Miller’s redefining origin tale is a whole different ball game.  Mike W. Barr was paired with the polished, fluid art of Alan Davies. ‘Batman: Year Two’ is much more than a cash-in on the success of Year One and features some awesome Todd McFarlane covers (and some interiors, too). It’s a brief run that generates great storytelling and includes appearances by The Joker, Catwoman, Jason Todd, Leslie Thompkins, and a fantastic Two-Face story.

Detective Comics 736,739,740

The ‘No Man’s Land’ crossover was a booming, thunderous, and ambitious storyline. The magnitude of it extended far beyond the earthquake that decimated Gotham in the previous ‘Cataclysm’ storyline, doing something completely new with the entire Batman landscape and bringing Batman into the new millennium with a grand sense of occasion. It also served to shine a spotlight on many future comic book stars. John Cassaday contributed covers, pencils, and inks to the moody, atmospheric epic. Giving comic book fans a glimpse of what was in store for his breakthrough Captain America and Astonishing X-Men runs.

Detective Comics
625, 626, 628-630, 633, 644-646

This entry is exclusively about Michael Golden’s covers. You’ll not see anything like them elsewhere. Walking into news agencies and comic shops in my childhood, there was nothing else in the racks that compared to them. The pop-art colors. The gothic architecture. Golden’s covers seemed far ahead of their time but maintained a perfect, foreboding, and haunting fit for the Dark Knight detective. These are images that are begging to be reappropriated for posters, t-shirts, and other Bat-merch.

Detective Comics 654-658, 660 and 662

Sam Keith, the creator of The Maxx and one of The Sandman’s original art team, has one of those distinctive styles that just works on the caped crusader’s darker leanings. A Wolverine/Batman crossover drawn by Keith is something that should never have gone begging.  The dynamic mix of Image Comics sensibilities drawn by a unique auteur with distinctive style. The only thing this brief run lacks is consistency. Pencilling interiors sporadically. Providing inks and jaw-dropping, brutish covers. If Keith’s work had been lengthier. his name would have as much attachment to Detective as it does to his creator-owned property.

Detective Comics 598-600

The writer of Tim Burton’s Batman movie in 1989 penned a three-parter that lead into the milestone 600th issue celebrations. Sam Hamm’s “Blind Justice” proved that the writer’s Batman nous may have been muffled by Tim Burton’s fingerprints (not that anybody is really complaining). 400 issues before Kevin Smith writes a tale of the bat, Hamm proves a significant precursor of Hollywood writers showing their comic book roots some reverence and respect.

Detective Comics 583-597 and 601-621

Before moving on to the equally excellent Batman: Shadow of the Bat, Alan Grant wrote a decent-sized run on Detective from 1988. Right before (and during) the zeitgeist dominating wave of Bat-mania. The English writer wrote Batman in all his stoic, haunting, urban, gothic genius. If you want a forerunner or companion to Grant Morrison’s take on Batman, this is the run. First teaming with John Wagner before flying solo, this run has great stories that include the likes of Ventriloquist and Scarface, Ratcatcher, Cornelius Stirk, The Demon, The Mudpack, Anarky, and Penguin. Norm Breyfogle earned his renown on the character here, but nobody should discount the tandem he’d formed with Alan Grant. They balanced quieter, nuanced, smaller-scaled stories with grand-scale action and adventure. These issues have dated so well that they’re almost timeless.

Detective Comics 629-633, 638-640, 643, 842

Peter Milligan doesn’t get enough of his due as one of the figureheads of the ’80s British invasion. While Moore, Gaiman, and Morrison have legend and rockstar status, Milligan seems to fly under the radar despite the cornerstone Shade: The Changing Man, right through to X-Statix, X-men and up to Kid Lobotomy. His Detective issues are my gun-to-my-head favorite. From single issue stingers like “the Hungry Grass” (629) to his part in the chaotic “the Idiot Root” storyline, 1991 and 1992 were quintessential Batman storytelling years that are the epitome of underrated.

Publisher – DC Comics

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Comic Books

[Podcasts] Invasion of the Pod People

by Adrian Care
written by Adrian Care

Maybe terrestrial radio isn’t what it used to be, but for Podcasts even the sky holds no limits. Seemingly growing in diversity and popularity every year, the internet radio media just about has something for everyone.

Whether you’re getting smart and laughing to the sounds of the Joe Rogan Experience, hanging on every word Purple Man himself utters on David Tennant Does a Podcast with… (available under PopCultHQ’s podcasts and streams tab here), or reliving the days when Serial was still worth the internet’s attention, there isn’t a sub-genre or obscurity not represented.

For fans of comic books, there is a multitude, no… a multiVERSE of great content available that provide entertainment, news, reviews, education, and explanations (as best as anybody can).

You might be looking for new things to plug your ear holes with right now, or you may be wondering where a good place to start is (might I suggest once more heading to the podcasts and streams tab), fear not my fellow frantic friend in fandom. Below is a collection of varying podcasts where you’re sure to find something to suit.

Before starting, it’s important to remind ourselves that everyone’s tastes and opinions vary. What we enjoy is always an exercise in subjectivity, so I suggest finding a subject or episode title that appeals to your sensibilities and giving each show a few listens before tracking me down and exacting your revenge. I’d never willingly lead anybody astray. Having said that, I’m confident that, for different reasons, all the pods mentioned below are the best the internet has to offer right now.

The CCC Podcast

Starting close to home, you can quickly find this podcast by again visiting our podcasts and streams tab or in the link below. Hosted by Josh Daniels and Kevin Matthews, this is a weekly discussion that is informative, polished, engaging, and displays a satisfying amount of in-depth knowledge.

Josh and Kevin have good chemistry and don’t veer into rambling, skippable moments. The professional presentation is very impressive. This show is a great example of a podcast that gives you the feel of overhearing, or being part of, the conversations you get when you’re at your local comic shop.

Fatman Beyond
(formerly Fatman on Batman)

Let me get some lamentations off my chest first. This podcast’s earliest incarnation was a show where host Kevin Smith would be accompanied by a prestigious guest from Batman’s long history or the wider comic book industry. Hearing the likes of Jeph Loeb, Geoff Johns, Grant Morrison, Denny O’Neil, Scott Snyder, and many more waxing philosophically about what Batman meant to them was pure inspiration. I urge you to hunt down these longform conversations on whatever channels you can before they are lost to the ages. The show later adopted a news-type format before becoming the variety-driven series it is today, co-hosted by accomplished comic book and screenwriter Marc Bernadin. While still entertaining, it has moved away from being about Batman (or having a Fatman, for that matter). It’s a much broader take on all of pop culture now. More entertaining than in-depth, this show is still a beacon for people that want to bask in the warm embrace of fandom.

https://www.smodcast.com/channel/fatmanbeyond?audio=242

https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=532661418&ign-mpt=uo%3D8

https://www.youtube.com/channel/UCfDoPEgiYTMmraXj8HS7s4g

https://www.stitcher.com/podcast/smodcast-network/smodcast-fat-man-on-batman

Serious Issues

Now I’m not being biased because I’m Australian but this podcast comes straight outta Kings Comic in Sydney. This is hands-down the most comprehensive review of what’s come out monthly from every significant publisher. Not just the big three. Hosts Andrew and Siobhan seriously know their stuff. This is a casual, cool, monthly discussion with endearing banter and opinions that fly thick and fast. A lot of personality gives this a drive radio feel. Recaps, news, views, this cast packs it in. This will sit nicely in your subscriptions library or is an obvious top choice if you want to pace out how many comic book podcasts you listen to.

https://itunes.apple.com/us/podcast/serious-issues-a-comic…podcast/id1098619881?

https://www.stitcher.com/podcast/superfam/serious-issues-a-comic-book-podcast

https://www.planetbroadcasting.com/our-shows/serious-issues/

House to Astonish

A very opinionated, but also highly informed, discussion podcast. Hosts Al Kennedy and Paul O’Brien run through the major comic book news each episode with acid-tongued, humour-filled commentary. They select a few new releases to dissect and close out every episode with their trademark segment ‘The Official Handbook of the Official Handbook of the Marvel Universe.’ A highlight of the show where by they select an obscure or fringe character from the Marvel Universe and give them a fantasy reboot. The camaraderie and banter between Al and Paul are a real draw and they cram a lot of discussion, speculation, backstory, and entertainment into every episode. Again, it really captures the feel of listening in on the guys behind the counter go back-and-forth on all things comic books …before they notice you aren’t buying anything and ask you to leave.

https://itunes.apple.com/au/podcast/house-to-astonish/id296092576?mt=2

https://www.stitcher.com/podcast/house-to-astonish

https://www.podomatic.com/podcasts/housetoastonish

http://www.housetoastonish.com/

The BatForce Radio

“The most dedicated group of bat fans in the world” boast their tagline, and they aren’t just saying it. This show is deep, deep bat fandom. Sometimes branching out into the wider DCU but primarily deep rooted in Gotham. These hosts, a rotating group featuring monikers like RobinDCross, thebatforcetimes, batforcetom, grandpa_batman, triplej18, legendsoflegobatman and (where the f*** is) the trunkler, all have excellent comic book knowledge and fantastic chemistry as hosts. They’re full of aggressive enthusiasm and look at current release and future release titles comprehensively. They often feature guests such as Scott Snyder, Sean Gordon Murphy, and other up-to-the-minute contributors who always seem to be having just as good a time as the hosts. There are times when the room gets too opinionated and the crew’s individual personalities and in-jokes may not be everybody’s thing, but toughen up and move past that because this makes for a great listen to regularly tune in on.

https://itunes.apple.com/ca/podcast/batman/id1046765363?mt=2

http://www.thebatforce.com/new-page/

Word Balloon Comics Podcast with John Siuntres

Unprecedented access and content are the big draw here. Host John Siuntres is a loveable, old school comic book fan who wears his passion like a badge of honour. He’s got long-reaching knowledge of comic history and pop culture know-how that spans many eras. It’s a well-produced podcast. Entertaining, informative, and insightful. Top line guests call in to chat with unmatched regularity. Names like Brian Michael Bendis, Tim Seeley, Tom King, Brad Meltzer, and Cullen Bunn, just to reel off a few recent interviews. The audio quality sometimes can be temperamental, and it would be nice if Siuntres wouldn’t interject and let his guests speak more. But that’s just John’s enthusiasm shining through. His energy is very endearing and the sheer amount of content he regularly puts out is definitely worth your time across each week.

www.blogtalkradio.com/wordballoon

https://www.stitcher.com/…/word-balloon-comics/word-balloon-comic-books-podcast

https://itunes.apple.com/us/podcast/word-balloon-comics-podcast/id207700416?mt=2

http://www.wordballoon.com/

The KingMobcast

A hyper-detailed issue-by-issue, spoiler free (if you’re up to date) readalong and explanation-filled podcast on one of the greatest comic books ever written, Grant Morrison’s The Invisibles. The hosts, Brendan, Ryan, Kyle and Zac, have twin-like chemistry. The conversation (just like the subject) expands out into multiple directions without veering right off track. The guys heavily research every single reference before putting that episodes issue under a microscope. Along with the book Anarchy for the Masses, this podcast is the ultimate companion to the stellar comic book.

https://www.stitcher.com/podcast/king-mobcast/the-king-mobcast

https://itunes.apple.com/us/podcast/the-king-mobcast/id1339982766?mt=2

Jay and Miles X-plain the X-Men

An intensely-detailed tour through X-men lore that emphatically illustrates how engaging and fulfilling attaching your fan wagon to the medium can be. Jay and Miles have omega-level knowledge, great chemistry, and a masterful sense of pace. They pack so much detail and exhaustive research into every episode. Whether they’re concentrating on a single issue, an arc, or a creator’s work specifically, the quality of the work deserves to be supported on as many platforms as possible. If you’re a lapsed fan, nostalgic, or even a complete newbie who wants to cram “matrix style,” you need to listen to this x-cellent podcast by true fans who also have industry experience. (Although if you are new, choose your episode wisely as the team are well into ‘90s era X-men by now.)

https://www.youtube.com/channel/UCYO80X1Mz3B9Z_muBsm_nbA

https://www.stitcher.com/podcast/rachel-and-miles-xplain-the-xmen

xplainthexmen.tumblr.com/

https://itunes.apple.com/au/podcast/jay-miles-x-plain-the-x-men/id862258051?mt=2

https://www.xplainthexmen.com/

Raging Bullets

A look at the current DC Comics releases and a deep dive into the surrounding issues. The affable hosts are engaging enough and unpack their thoughts intelligently and in an accessible way. The back and forth conversation of hosts Sean and Jim always present multiple, solid viewpoints on every subject raised. The sound quality isn’t always on-point, but that’s a small gripe rather than being something that distracts from the discussions. If you need something to balance more Marvel-centric podcasts you may subscribe to, this is your jam. The opinions are fair and balanced, important when deciding which titles you’ll invest your time and money into this week. Another pod with that standing-in-a-comic-shop feel to it. You’ll sometimes forget you aren’t standing near the shelves discussing the topics with the hosts.

https://itunes.apple.com/au/podcast/raging-bullets/id135709448?mt=2

https://www.stitcher.com/podcast/raging-bullets

ragingbullets.com/

Wolverine: The Long Night

Now for something completely different. This could very easily have been corny, but it succeeds on every level. Exceeding sometimes even the Wolvie titles on the racks right now. The voice performances are the key to this indie movie-feeling Wolverine story. Convincing performances and a brilliant script, with great production values to boot. This sounds like a million-dollar production. I gave the first episode a hard listen expressly for the purpose of this article and found myself hooked, deep into episode seven before I knew it. Recently adapted to comic book form, this is great for breaking up everything else you’re subscribed to right now. It manages to capture the true essence of the character with authority and tell an engrossing, layered story. The only issue is the ad-breaks that come abruptly; they’d be better left at the start and end of each episode rather than when I’m teetering at the edge of my seat.

https://www.wolverinepodcast.com/

https://www.stitcher.com/podcast/stitcher/wolverine-the-long-night

Off Panel with David Harper

An excellent interview show with a large scope and encompassing a wide range of creators. Host Harper knows when to talk and when to let the guest talk. He knows the right questions to ask, not just promotional fluff, and he keeps the interview on track steadily. A great way to get to know comic book history, or to catch wind of creators you might not have discovered yet. If you want to see if this is your thing, I recommend the recent-ish Jimmy Palmiotti interview or the Jeff Lemire episode. I’m sure you’ll stick around for more after that.

https://itunes.apple.com/au/podcast/off-panel-a-comics-interview…/id1006337409?.

https://www.stitcher.com/podcast/off-panel

Battle of the Atom

For something much lighter than Jay and Miles X-plain the X-men. Hosts Zack and Adam offer a very entertaining show with good back-and-forth. It doesn’t stick strictly to a traditional countdown or head-to-head formula, but gives a good free-flowing discussion on each episode’s chosen subject. The kind you and your comic book friends would turn into long debates. The conversations often throw up obscurities and a lot of pleasant surprises. Scroll down the list of episodes names and pick out an specific character or debate that appeals to you and see if you don’t find yourself trying to interject and have your say as you listen along. This is the podcast you and your friends would make if you and your friends had the x-gene to make a podcast.

https://itunes.apple.com/us/podcast/battle-of-the-atom/id1223774438?mt=2

https://www.stitcher.com/podcast/xavier-files-reviews

http://www.xavierfiles.com/category/battle-of-the-atom/

Elseworlds Exchange

A great premise that gets bonus points for involving the audience. Each episode discusses an idea or question that is guaranteed to be close to listeners’ hearts. What would you do with your own comic shop? How would you reboot Batman? Who is the most iconic female Marvel superhero? No point is glossed over. The conversation branches out into some interesting and entertaining threads. Everything is explored from multiple angles. Latest issues and current events are also on the table for discussion, mixing things up nicely in a very well-produced podcast.

https://itunes.apple.com/us/podcast/elseworlds-exchange/id1111784882?mt=2

https://www.stitcher.com/podcast/comicpop/elseworlds-exchange

Geek History Lesson

Hosts Jason Inman and Ashley V. Robinson have THE most accessible comic book crash course available. Each episode’s subject is broken conveniently into smaller segments: when they first were introduced to a character, a quick rundown of the origin, a succinct (but strong) history, and recommended readings. All of this is steeped in a genuine love for comics and the two have such great chemistry and timing, that the banter between them is endlessly charming. It’s an informative podcast as well as an entertaining one. Their fanboy (and fangirl) enthusiasm shines through brightly. This is the podcast to put your lesser-educated friends onto to shove them into the know. Listen if you want a great refresher on something current or simply for the good feels.

https://itunes.apple.com/au/podcast/geek-history-lesson/id816803613?mt=2

https://m.youtube.com/playlist?list=PLIPYu8RdPGbdHw_K2VWTn_5Y…

https://www.geekhistorylesson.com/

The Marvel Pull List

High-quality production. Smooth conversations. An easy to listen to podcast and a concise look at Marvel’s releases that is light on spoilers. Knowledgeable, comprehensive, and moving at a cracking pace. If you’re a Marvel zombie, you need this podcast in your library. If you’re more of a DC, Image, or other company fan, this is still essential listening. If for nothing else than to keep up with fandom, but also to see where your favourite creators are staking their claim in the mainstream. Every company could benefit from producing a podcast in this vein. Full disclosure, this IS endorsed by Marvel so there isn’t much in the way of negative points, take each review with a grain of salt.

https://itunes.apple.com/us/podcast/marvels-pull-list/id1412191409?mt=2

https://www.marvel.com/podcasts/17/marvels_pull_list

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independent Comic

[Creator Spotlight] “Stuntman” Joe Khachadourian of IDENTITY STUNT

by Adrian Care
written by Adrian Care

It was a random episode of Kevin Smith’s podcast Fatman on Batman that I first came across Joe Khachadourian.

Something about the passion in the man, the sincerity in his words resonated with me. He stood there humbly, gave gratitude for the motivation Kevin Smith had given so many, and explained that he went out and did something about it.

Joe gifted Kevin and co-host Marc Bernardin with a copy of his creator-owned baby Identity Stunt. He explained eloquently what it was about, and you know what? The premise was pretty original…and cool. Not in that “trying to be clever” way either, it was effortless. A good idea is a good idea, and a passionate comic book fan is a man after my own heart.

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I had to know more about this person and his dream.

I got in touch with him quickly (social media is a wonder like that). If nothing else, I had to congratulate him on his efforts and personally thank him. Hearing him speak on his dreams for a moment amongst our sometimes-enclosed community of fandom, it was inspiring in a small, but significant way.

His response proved that his humility and sincerity was no act. This guy wasn’t just putting on some hustle to get his stuff out there. I mean, there’s no doubt Joe has hustle, everybody needs some to make it somewhere. He was just as genuine in conversation:

“Hi there! Thanks so much for reaching out, it really means a lot to me. My passion burns even brighter thanks to you & others who have reached out to me with well wishes. I’m truly grateful”

His reply was full of enthusiasm and excitement. He then gifted me a digital copy of his work. Yes, this could be hustle again. But it felt like more than just that. It was one comic book fan saying, “Check this out, hope you like it” in the purest way possible. That really is the unifying thread of our sub-culture.

He followed up a little while later to see if I’d received it. By that time, I’d read the issue and I really enjoyed it, it was a hell of a good time.

We spoke briefly about the art. I told him this would have been tailor-made for the Cliffhanger imprint back in the day. It was current, but had a real 90’s atmosphere about it. There were some new titles the “big two” were putting out at the time that were failing to capture what Joe had succeeded in doing with issue one of Identity Stunt.

He was ever gracious in his replies and we briefly toasted to 90’s influences.

We went back and forth sporadically over the “Lethal Weapon meets Unbreakable” style of the book.

After some time, Joe checked in on me and offered me a digital copy of issue two.

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Now, I’m not some maven of social media. Some Harry Knowles-style powerbroker or influencer of pop culture. I’d like to be. We’d all like to be. But there was no real benefit to Joe reaching out like this.

I have a Comixology account. But where I am in Australia, the hard copy issues of Identity Stunt wouldn’t be accessible to me. Joe didn’t care about that. Giving, real giving, is when you give freely. Maybe you can hope the person you bestow generosity to can pay it forward, but you give without expectation.

We had some banter over things I’d ribbed him about in issue one. I thanked him again.

He offered to send me (global shipping is an evil bastard, so this was a huge gesture) a physical copy of issue one.  I couldn’t do it. He told me Jimmy Palmiotti’s thoughts on issue one. Jimmy Palmiotti has been a legend right from Event Comics days through to coming into his own as a writer. I love his and Justin Gray’s Jonah Hex especially. But do you think Joe Khachadourian was namedropping or boasting? Not for a second. It was all in the spirit of humility, appreciation, and education.

I asked him how the hustle was going of promoting the book, the creative journey?

He was earnest in his response

“The hustle can certainly be a hustle man. Marketing has been pretty hard to stay on top of with a day job and two kids. Add editing issue three and four on top of it. But it’s been an amazing journey, worth every sleepless night and grumpy moment.”

He was off to Silicon Valley Comic Con that weekend and he signed off with a wide-eyed, optimistic, “who knows what wonders lay in wait there?”

The next time I spoke with Joe, he gushed with fanboy excitement that the very same artist of Shadow Hawk had lent his pencils to the cover of Identity Stunt #2. We spoke about the change of artists between issues. We spoke about Easter eggs in the book. A mutual appreciation for Saved by the Bell and The Big Lebowski.

And then he shared with me a one-page story he had printed in Transformers more than 10 years ago.

I asked if, at the time, that one-page story felt like the holy grail to him. If he never came to Identity Stunt, would he still have been just as appreciative that somewhere there was a comic book with his name in the credits?

Like any creative type, he lamented the faults of the story rather than rest on the achievement. It was more humility and sincerity from a guy who had made that his calling card. He spoke about the difficulty of telling a single page story, a sentiment I’d also heard echoed by Grant Morrison to Kevin Smith in one of his excellent interviews on Fatman on Batman.

He told me his dream was to be a showrunner on a Transformers cartoon. If you’ve read this far and I’ve gotten across to you how good a human being Joe is, you have to think the man deserves a shot at that.

He offered me this sage advice from where he was at:

“Just finish something. That’s the biggest hurdle, telling a complete story. Then make sure a decent artist draws it. The better the art the more likely it is to get noticed, even these days. That’s basically it. After that, you’ll most likely get picked up by a digital first publisher, even something like Comixology submit works wonders. Print out small print runs of the books to sell online and in cons and that’s basically it.

“It does cost money, but it doesn’t have to. The only requirement is that the final product look professional. The grunge art days of the 80s and 90s are gone. In any case, complete the story first. Everything else falls into place.”

That’s basically it. It sounds idealistic, doesn’t it? I think what Joe underrates is his own drive and work ethic that got him to where he was. Maybe even some hustle?

Curious about how someone breaking in interacts with editors, I asked him for his thoughts on the role they play in a creator-owned endeavour. Candidly, he admitted:

“…that would depend on the editor. I would say it’s always helpful. Especially for typos, ha-ha! Also, things make sense to the writer that don’t always make sense to the reader.”

Not long after, I checked in with Joe to see how issue three and the hustle were getting along.

Identity Stunt #3 preview page 1
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In the tradition of Peter Parker or Buddy Baker he admitted:

“man, promoting an indie comic while also trying to sell my house was a terrible idea”

And then he sent a copy of #3 my way,

Although he was clearly stressed (life does that to you even when you’re chasing your dreams), he was still courteous enough to me to ask how I was and stop for a brief chat.

Christmas came and went and early in the new year, I got a chance to read issue 4, the conclusion of the series (for now).

We talked about the issue and the trade (that was coming in February and would be available on Amazon.com).

Despite the bumps in the road, Joe’s focused on putting out more work. In something that is virtually unheard of in this age of getting accosted on Twitter, Joe asked me, as a reader, what could he could improve on from Identity Stunt.

The creative field and opening yourself up to criticism are on the same difficulty level as public speaking and taking a bullet to the knee. But Joe Khachadourian is serious about his work and, like the best creative types, constantly seeks improvement.

He let me speak on the weight of expectation people and their subjectivity bring to a read, and how that gets in the way of a good time.

He teased a few clues on what might be coming next for his characters and I just had one more question about Markosia. It was regarding the publisher who put out Identity Stunt:

“Markosia has been great! Extremely kind, supportive, and generous. They’re a slightly bigger name in the U.K. than they are in the U.S. and have different distribution channels, so I’m taking on a “retailer outreach” role as well, which gives me the opportunity to get some talk time with comic store owners across the country, and that has been a blast in and of itself.” 

Like I told Joe, he gives hope to everyone like me that just wanted to contribute to an industry they loved. Even if it was a Ray Palmer-sized footprint. To read about his journey, to see how accessible he was willing to be, how appreciative he was of his position, and how much he was willing to give back in turn. The humility of the guy. The fact he made time in an already busy family-driven life to pursue his dreams and still produce quality work to boot.

The fruits of his work, dream, and his story connected with me all the way in Australia. It inspired me to get deeper into my writing. Joe doesn’t know this, but he played a big part in me self-publishing two children’s books in 2018. He was a huge reason I’ve polished draft after draft of my own scripts for a creator-owned idea I’ll be shopping around in the coming years. Joe’s inspiration is the reason I had my first article published by PopCultHQ.

I’m guessing if he does ever find out, he’ll play it down with humility and sincerity.

The industry needs to see more work like Identity Stunt; beyond that, it needs more people contributing to its foundations like Joe Khachadourian.

This why supporting the independents is so crucial; if guys like this succeed, we all succeed.

Joe Khachadourian will be appearing at Hill Country Comic Con March 16-17th in New Braunfels, TX.

Identity Stunt TPB available now at the following links:

Amazon.com

Barnes & Noble

DriveThruComics

 

Creator and Writer Joe Khachadourian:

Joe Khachadourian is a writer, concept creator, and graphic fiction evangelist living in Austin, Texas. Formerly an Executive Editor at MightyVille.com – A Comics Website, Joe has contributed to various websites and periodicals over the years, along with a number of comic book anthologies, including IDW Publishing’s Transformers: Mosaic. A recipient of several awards in journalism and playwriting, Joe’s decided to make the dive into the world of creator-owned comics with Identity Stunt. A lifelong comic book reader, this is the project his entire creative career has been building to and he’s thrilled to have you along for the ride.

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Stan Lee Memory Wall feature
Comic Books

[In Memoriam] Details Set For Stan Lee Tribute

by Tori Ann
written by Tori Ann

Comics legend Stan Lee passed away on November 12th of last year, and since then tributes have been pouring in across the world by all of the fans, actors, creators, and more whose lives he touched with his creations.

After the death of Lee, plans were put in motion for an event to commemorate his legacy, and those details have finally been made public. The tribute will take place next Thursday, January 30th, at the TCL Chinese Theater in Hollywood. Stan Lee’s POW! Entertainment is putting on the event in conjunction with event organizers Legion M and Agents of Mayhem.

RELATED: Comic Book Industry Professionals Honor Stan “The Man” Lee

The event is being titled, Excelsior! A Celebration of the Amazing, Fantastic, Incredible & Uncanny Life of Stan Lee. Activities will begin approximately 4PM Pacific, with the tribute inside the theater beginning at 7:30PM.

It will be a star-studded event, featuring names such as Mark Hamill, Kevin Smith, the creative team of Spider-Man: Into the Spider-Verse, Felicia Day, RZA, Clark Gregg, Bill Duke, as well as cast members from Fox’s The Gifted, Marvel’s The Runaways, and FX’s Legion.

The Legion M website gives this description for the event:

The tribute event on Wednesday, January 30, will begin with a public appreciation of Stan’s life and work at Hollywood’s iconic TCL Chinese Theatre forecourt that will feature fan-favorite speakers, an art exhibit celebrating Stan’s legacy by famed pop-culture artist Rob Prior, select costumes and props from Stan’s cameos and creations, a musical performance and a special moment of remembrance centered around Stan Lee’s hand and foot imprint. After a red carpet arrival of guests, the evening will proceed with a private tribute inside the IMAX Theatre hosted by one of Stan’s biggest fans, Kevin Smith.

Kevin will moderate conversations with celebrity speakers from the entertainment industry such as Mark Hamill, Rob Liefeld (Co-Creator of Deadpool), Michael Uslan (Executive Producer, “The Dark Knight”), Vincent D’Onofrio, RZA, and Tom DeSanto (Producer, “X-Men,” “Transformers” franchise) among others who will share their favorite memories and personal stories of Stan. The evening will be rounded off with video tributes and live performances of Stan’s favorite music and poetry.

A limited number of tickets are available on the Legion M website, giving access to the forecourt, tribute, and post-tribute reception, as well as a commemorative poster. Proceeds from tickets will go to The Hero Initiative, a non-profit that supports artists, writers, and comic book creators in need.

The dress code is listed as casual, though it does say that some many be in suits/dress. Wearing your favorite Marvel cosplay is also encouraged.

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Clerks
HistoryMovies / TV

[Cinema Sunday] “Clerks” – Kevin Smith’s First Film

by Joshua Winchester
written by Joshua Winchester

“I’m not even supposed to be here today!” – Dante Hicks

Hello and welcome to another round of Cinema Sunday. As you may have noticed, today is a departure from the normal meal of 80’s sci-fi masterpieces, to bring musings on another film and, more importantly, a man who is a truly great and genius director, screenwriter, and actor.

Several days ago, on August 2nd, Kevin Smith turned a whopping 48 years old. And this is a huge deal because several months ago, the world and nerd communities nearly lost this colossus of a creator to the most serious of heart attacks out there, the Widow Maker.

But by the grace of all that is good, he pulled through, got back on the horse, and has now turned his life in the direction of healthy living in order to remain on this Earth many more years.

Now it’s time to dive in and yap about this mega-man’s first (and to many arguably, best) flick. Time to head back in time to the 90’s and the movie that started it all. Winner of the “Award of the Youth” and the “Mercedes-Benz Award” at the 1994 Cannes Film Festival, tied with Fresh for the “Filmmakers Trophy” at the Sundance Film Festival. That’s right, it’s the Cinema Sunday Clerks edition!

Clerks, to many people, may seem like a simple story. Two friends working in “dead-end jobs,” wasting the day talking about everything from contractors working on the Death Star in Return of the Jedi to being assaulted with cigarettes by customers who get riled by gum company reps.

Of course many good people know the main players, Dante (Brian O’Halloran), Randall (Jeff Anderson), Veronica (Marilyn Ghigliotti), Caitlin (Lisa Spoonauer), and of course, the mac-daddies of New Jersey, Jay (Jason Mewes) and Silent Bob (Kevin Smith). Dante and Randall, they’re complex guys underneath it all. The movie is rife with conversations that can seem both low-brow, and at-times downright deep. That is why it succeeded so well back then and does still today. Because of it being about two ordinary guys, going through an “ordinary” day (because what day is ever ordinary in retail), making it to closing.

As for Jay and Silent Bob, well, what else can be said about them. Two guys hanging out, selling marijuana to passers-by, and generally just being there. And yet when it comes down to it all, they provide the most profound wisdom in the entire movie (next to Randall’s rant/speech near the end of the picture). And of course, the greatest wisdom comes from Silent Bob himself, choosing to speak at just the right time.

Kevin on-set behind the camera (from the ViewAskew website)

One of the truly amazing things about Clerks isn’t just its story or fun cast. It’s the how, the film’s origin. Not only was it shot in a very short amount of time (21 days with two “pick up” days), but it was also shot on-location at the very store Kevin was working back then.

Not to mention his selling a portion of his comic book collection, maxing out credit cards, dipping into his college fund, and using insurance money to fund the project. That, right there, is true dedication to making a dream reality and for that alone, Kevin should keep receiving overwhelming praise.

Now to give all Kevin Smith fans something truly wonderful to enjoy, here’s a look at the hour-long documentary “The Making of Clerks”. Snootchie bootchies everyone!

The biggest surprise at the time is how well the movie did in theaters, despite being screened at only 50 locations across the United States. It raked in over $3 million against a budget of $27,575.

Plus Roger Ebert’s heart-warming review that came out in November of 1994:

Quentin Tarantino has become famous as a video store clerk who watched all the movies in his store, and then went out and directed “Reservoir Dogs” and “Pulp Fiction.” Kevin Smith has done him one better, by working behind the counter and then making a movie about the store itself. Within the limitations of his bare-bones production, Smith shows great invention, a natural feel for human comedy, and a knack for writing weird, sometimes brilliant, dialogue.

Much has been written about Generation X and the films about it.

“Clerks” is so utterly authentic that its heroes have never heard of their generation. When they think of “X,” it’s on the way to the video store.

On that basis alone, from Ebert himself, is another firm reason why Kevin Smith is revered and heralded to this day. [Editor’s note: Hockey on the rooftop!]

It’s Sunday. It’s either a gorgeous day or crummy day weather-wise wherever you are. You’re probably thinking to yourself, “I could go blow money on the latest big screen thriller, but I’d rather just stay home”. Well, if you do choose to do that, then take a hearty recommendation from your friendly Cinema Sunday movie person. Kick back, relax, and watch Clerks. It’s rated R, so parents, don’t let your kids or young teens see it. Parents, if you’ve got 18 or older, make extra popcorn. That extra popcorn is going to be needed when you laugh and laugh some more at Kevin Smith’s first feature length film. Snootchie bootchies, y’all.

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Pop Cult News

Two Years Ago Today – March 23

by Reptile
written by Reptile

On March 23, 2015, we were gifted with the final piece of Manny’s theory regarding Marvel’s Secret Wars and Marvel’s announcement that they are canceling 33 books tied in to his theory….After reading all three parts and knowing how things came about over the last two years, what do you think?

 

Pee Wee’s Big Holiday started filming and the secrecy behind it left many of us wanting more. For many of us, the film was merely a retread of his old films, without quite as much humor, but for others who were discovering Pee Wee Herman for the first time, hilarity ensued.

Apple streaming was finally coming to Apple TV fans in June of 2015, which meant their wait was finally over.

Manny introduced us to the first Television Thor that teamed up with The Hulk, Eric Allan Kramer, and blew us away with the trivia.

Return of the Incredible Hulk

Jim Parson from The Big Bang Theory confessed to the world that he would love to play Batman villain The Riddler.

If you are a Harry Potter fan, then you might want to watch this video, because you might find yourself changing sides as The Dark Lord, Voldemort, Gets Down To ‘Uptown Funk’

Kevin Smith revisited the Mall to give us Mallrats 2

And…

Man at Arms Reforged gave us Link’s Hylian Shield From Zelda

 

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Movies / TV

Serious TV Drama Podcast 147: Supergirl 2×7 | Flash 3×7

by Tori Ann
written by Tori Ann

stvdlogo

With the holiday this week, we only had two shows to cover this week in Supergirl and The Flash. While we had several issues with one episode, we had almost nothing but praise for the other.

http://stvdpodcast.podbean.com/e/serious-tv-drama-podcast-147-supergirl-2×7-flash-3×7/

It’s Thanksgiving week, and the STVD All-Star Squad debate the good and the bad (as well as the the utterly stupid and unbelievably awesome) of the latest episodes of SUPERGIRL and THE FLASH! [Recorded 11/22/2016]

* Segment Breakdown

* 0:00:00 – 0:02:49  Intro

* 0:02:50 – 0:34:25  SUPERGIRL (“The Darkest Place”)

* 0:34:26 – 1:09:47  FLASH (“Killer Frost”)

* 1:09:48 – 1:18:10  More about the CW DC Shows

* 1:18:11 – 1:23:58  Wrapping it All Up

Join us on Facebook: https://www.facebook.com/groups/stvdpodcast/

Follow us on Twitter: @STVDpodcast

And track us down on iTunes, where you can subscribe, rate & review!

What was your favorite episode this week, and how would you rate them? Did you have a favorite moment? What did you think of the reveals in Supergirl? Are you excited for the crossover event next week?

cadmus

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