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Comic Reviews

[Comic Book Review] Source Point Press’ SUICIDE JOCKEYS #2

by Jason Bennett September 24, 2021

written by Jason Bennett

PopCultHQ received an advance review copy of SUICIDE JOCKEYS #2 from Source Point Press. Available Wednesday, September 29th, the creative team for this issue features writing from Rylend Grant, art from Davi Leon Dias, colors by Iwan Joko Triyono, and lettering from HdE.

Related: [Video Interview] Rylend Grant of SUICIDE JOCKEYS

Here’s PopCultHQ’s spoiler-free review of…

COVERS

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SUICIDE JOCKEYS #2

Writer: Rylend Grant
Artist: Davi Leon Dias
Colorist: Iwan Joko Triyono
Letterer: HdE
Producer: RJ Hendricks
Story Consultant: Brad Warner

Cover Artists:
Cover A: Davi Leon Dias w/ Iwan Joko Triyono
Cover B (Bullitt Variant): Fábio Alves w/ Edson Ferreira

In Shops: September 29th, 2021
SRP: $3.99

CHAPTER 2: PRECIOUS MOMENTS

After learning that his lost love might be still be alive, adrift somewhere in the vast ocean of space and time, Denver Wallace must convince his estranged team to set aside years of bad blood, saddle up, and bring her back home. Also, there’s a pretty funny reality show subplot, a panel where a dog takes a massive dump, and you know… plenty of cool monster-fighting stuff.

Related: PopCultHQ’s Spoiler-Free Review of Source Point Press’ SUICIDE JOCKEYS #1

PopCultHQ’s Comic Book Review:
SUICIDE JOCKEYS #2

Throughout everyone’s lives, we make mistakes. We make poor decisions. We lose some relationships. We hurt those with whom we love. But on the flipside, we make connections with people. We build trust in others. We support one another. But when you have burned bridges with some of your closest allies and have an ego that teeters between confident and cocky, can humbling oneself wipe that red out of your ledger?

The brutal truth is that not every relationship can be salvaged. Often the scars of the heart will never heal no matter what you do to try and repair it. Wallace learns this firsthand – he recognized the loss of Naomi is a wound much deeper than that of the former teammates he pissed off a decade prior. So the question becomes: can you come together for the greater good despite your falling out? That’s an obstacle Denver’s facing. But even after his attempt at humility, his swagger is back in a flash. This guy is such a fun character on many levels.

Writing: This issue, for me anyway, felt like there was an additional layer added to an already dope concept from last month’s debut. The reader becomes more connected, more attuned to each character’s personality. It feels like it has more depth and has a deeper look at the former jockeys. I don’t know. It just felt like it built upon the personalities and potential relationship-building that might be seen next issue. It’s a good layer to have, one that increases to the value not only of the story and cast, but in the series as a whole.

There’s something almost poetic seeing Denver’s fall from grace. The juxtaposition of the height of his career being a person who is looked up to and hitting rock bottom and being looked down on. It’s humbling having to put your ego in check and reach out to people you know you wronged.

Another thing that excites me with SUICIDE JOCKEYS is the sci-fi component. There are a number of things you can do with regards to time travel and I am eager to see what’s in store for the team, and from Rylend’s mind. And the way the “cognizants” are being portrayed, and gathering what we have seen & learned so far, I feel something big is in the works in upcoming issues.

I appreciate the conflicting personalities Rylend has given this former team. Here in issue two, he shows he’s thought these characters out to great extent. You know that there are going to be some butting of heads. It’s a fun medley of remembering your heydays by getting the team back together, potential conflict due to the conflicting personalities, and the common bond they share that is stronger than anyone’s personal feelings for one another. Maybe I’m looking too deep into it. But yeah.

Art:

It’s all in the details and artist Davi Leon Dias has them in spades. I’ve always loved his sharp, crisp linework and atention to detail. I could name at least 8 current Marvel Comics titles whose artwork isn’t this finely-tuned. This issue, in particular, the panel layout really jumped out at me. I loved the overlaps, the traditional and unconventional styles, and Davi really takes advantage of each one. I really appreciate the work Davi puts in his backgrounds. In a lot of indie comics, oftentimes backgrounds are minimal, nothing really defined, an afterthought, and that’s if there is anything in the background at all. His segues from present to flashbacks for each character are so clean. They make such a smooth transition to fill a multi-panel flashback to learn what each individual has done since this team were last together. It’s always exciting to see each upcoming release to see how Dias will impress me this issue. Just a superstar.

Colors: There are flashback panels (see first image above) in SUICIDE JOCKEYS #2 where colorist Iwan Joko Triyono created a beautiful contrast for the foreground and everything else in the panels. The focus of your eyes instantly hone in on the bright-colored characters with the help of the desaturated sepia tone in the background. It makes these panels pop and provides that distinction that you are viewing Denver Wallace’s backstory. It’s also something I’m not sure many colorists would necessarily opt for; most time in comic books, the backgrounds would typically either remain the same tones as everything in the panel, or at least similar hues but slighty faded to make a slight contrast. Iwan has always been a color artist that has an eye for the mood and ambience for each panel, but also does a damn fine job at giving his artist a look which amplifies the linework of Dias. The 1-2 combo in Davi & Iwan packs a punch. I truly feel they are of only a handful of artist/colorist teams that consistently nail the look of the story, work so cohesively with one another, and provide visuals you cannot help but enjoy and admire.

Letters:

I really like what HdE has done throughout this issue with captions nestled under or laid above other panels. It’s gives it a bit of flair, something you hadn’t considered. Something I think I really learned about HdE upon reading SUICIDE JOCKEYS #2 is he takes the reader on the ride through ther story. Pulling your eyes in the desired direction, carrying you from panel to panel. Many of the dialog boxes aren’t just placed where they are by happenstance. It’s a strategic move, an ability he possesses to direct your eyes to pair up perfectly with the artwork. And HdE has always impressed me by the amount of content, the number of words he can place in any panel. Somehow it turns out sharp, doesn’t detract from the illustrations, and really makes for a storyteller feel of how his words lead you. Impressive stuff.

Overall Assessment:

The pairing of artist Davi Leon Dias & colorist Iwan Joko Triyono is a match made in heaven. When you look over their contributions to the multiple Ringo Award nominated & winner for Best Villain, ABERRANT, the crowdfunded project THE PEACEKEEPERS, and now with SUICIDE JOCKEYS, you get the sense that Davi and Iwan make each other better and create a fluidity not often seen in the industry. Not only that, but with each issue they put out, it seems like they only get better, improving all the time. I would easily put them in the Top Three artist/colorist combos in the indie scene today.

Though this Tokusatsu comic is gaining steam towards the time travel adventure and Mama back in action, underlying you’ll find some heart, personal reflection, humility, owning your mistakes, and the self-journeys of this once killer crew. The fact these emotions are peppered throughout the story gives you, as a reader and a fan, hope that this team of misfits can return to their glory days. Though they’re nowhere near as close as they once were, who knows?

SUICIDE JOCKEYS #2 is overflowing with character building, a great amount of backstory, and appealing science fiction aspects. It’s got action, it’s got attitude, and it’s about to get real. The stage is set for what is shaping up to be an adventure like no other. I cannot recommend this book enough. You do NOT want to miss where this badboy is going.

Rating:

5 out of 5 Stars

And be sure to check out Rylend Grant’s podcast THE WRITER’S BLOCK with writer David Avallone!

Writer – Rylend Grant

Artist – Davi Leon Dias

Colorist – Iwan Joko Triyono

Letterer – HdE

Publisher – Source Point Press

September 24, 2021 0 comment

Comic Reviews

[Comic Book Review] Second Sight Publishing’s DUPLICANT #3

by Jason Bennett September 23, 2021

written by Jason Bennett

PopCultHQ received an advance review copy of DUPLICANT #3 from Second Sight Publishing. Available Wednesday, September 22nd, the creative team for this issue features writing from Karla Nappi, art from Marianna Strychowska, and lettering from Carlos N. Mangual.

Here’s PopCultHQ’s spoiler-free review of…

~~~~~

COVERS

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DUPLICANT #3

Writer: Karla Nappi
Artist: Marianna Strychowska
Letterer: Carlos M. Mangual

Cover Artists:
Cover A: Leila Del Duca w/ Owen Gieni
Cover B: Dan Wolff

In Shops: September 22nd, 2021

All evidence points to Robert Thunnel, head of the dangerous spiritual cult, The Asclepius Project, and Matt’s former mentor, as the responsible party for Matt’s kidnapping. Fearing for Matt’s life, Sean races to rescue him while the hunt for the mole at Regenerist Tech uncovers some hidden truths about a trusted employee.

PopCultHQ’s Comic Book Review:
DUPLICANT #3

Throughout the first two issues of DUPLICANT, all the characters were being fleshed out in a way you weren’t always certain of the true intentions. Who can you trust? What is their endgame? Who is playing who? Issue three cranks up the intensity; shocking moments, secrets beginning to unravel, and the kidnapped Matt Travers is fighting for his life. Pieces are beginning to fall into place and the reader will find themselves nearly as curious as those from Regenerist connecting the dots to determine Matt’s whereabouts and the answer to the mystery of how organ recipient Pamela Wilton died.

Writing: Being a lover of science fiction, I nearly always want to at least give a look at any work from the genre. Even if it isn’t “blow you away” content, oftentimes there are little nuggets that contribute to the genre in a dun or unexpected way. As a math and science geek, I spend a lot of time reading the latest advancements, extraoridnary discoveries, and when things truly become science fact. All of that being said, writer Karla Nappi has impressed the heck out of me with the first three issues of DUPLICANT. It’s shocking at times how much the story draws parallels to the current pandemic the world faces today, knowing that the first two issues were made prior to March 2020. It stirs emotion from the reader. There’s a real world relatability peppered throughout the series. And it’s that emotion that makes for a fantastic draw to the storyline. I also feel we haven’t been made fully aware of all the science Nappi intends to deliver. That right there can evoke such fascination as we continue the crescendo on the path to the series finale. I’m hooked.

Art: Marianna Strychowska’s artwork has been solid since the first page of issue one. Very detailed with the characters and scenery (moreso than many Marvel titles right now), she really elevates this series. Marianna does an amazing job at using up the entire panel – the backgrounds are quite pleasing to the eyes. Many indie creators or titles work at the characters first and the background/environment is secondary, if not tertiary. It really shows a level of commitment and love for the craft. Strychowska’s surgery shots look incredibly realistic, the characters are recognizable and relatable, and I was impressed with all the different angles of the shots in the panels. Great angles, lots of depth, a true building of this world. Marianna’s color work are a treat. Not only does it help define many of the players in DUPLICANT, is sets the tone, ambience, and intensity of any given panel. Major snaps for the artist!

Letters: Carlos M. Mangual provides an attractive layout and delivery of letters, just as he has for his work on books at Dynamite and Zenescope. His placements allow for Marianna’s artwork to really own each panel, being the compliment that adds to the story and its delivery, while not detracting from the illustrations. Though there isn’t much more than caption boxes and dialogue bubbles in this third issue, there was still a lot to take on and deliver. Carlos also managed to keep the same stlye and look for the title as he did in issue two. Would love to see more projects sent Mangual’s way to really grasp the rach and range this letterer can pull off.

Overall Assessment:

This latest issue gets more of Matt’s backstory through flashbacks, which provides some insight as to how things were and, ultimately, how things are shaping up to be in this world of organ harvesting. Ava’s story is shaping up to be a pivotal role. Sean’s search for the Regenerist Tech’s founder is nearing some answers and he finds himself continually working hard to uncover the mole within the company. And the man centered around it all, cult leader Robert Thunnel of The Asclepius Project, has quite the reveal that will get your head spinning.

In issue three, you really get the sense that the story is setting itself up for an explosive finale (which I believe is issue five). While reading this issue, it’s quite enjoyable seeing all the chess pieces converging on the ultimate gameboard of the advancements of science, the hope for the future, the ethical line that’s been drawn, and the shady players taking advantage of this organ pandemic. When science fiction meets science and collides with the ugliness that can arise with individuals seeking to profit off the naivety of humans, the amount of intrigue embedded throught is next-level and making for some must-have subsequent issues. After reading issues one through three, you’ll be so hooked and excited to know just what Karla, Marianna, and Carlos have in store for the sevond half of the title.

Rating:

4.5 out of 5 Stars

Writer – Karla Nappi

Artist – Marianna Strychowska

Letterer – Carlos N. Mangual

Publisher – Second Sight Publishing

September 23, 2021 0 comment

[Comic Book Review] Source Point Press’ SUICIDE JOCKEYS #1

by Jason Bennett August 17, 2021

written by Jason Bennett

PopCultHQ received an advance review copy of SUICIDE JOCKEYS #1 from Source Point Press. Available Wednesday, August 25th, the creative team for this issue features writing from Rylend Grant, art from Davi Leon Dias, colors by Iwan Joko Triyono, and lettering from HdE.

Related: [Video Interview] Rylend Grant of SUICIDE JOCKEYS

Here’s PopCultHQ’s spoiler-free review of…

COVERS

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SUICIDE JOCKEYS #1

Writer: Rylend Grant
Artist: Davi Leon Dias
Colorist: Iwan Joko Triyono
Letterer: HdE

Cover Artists:
Cover A: Davi Leon Dias w/ Iwan Joko Triyono
Cover B: Fábio Alves w/ Edson Ferreira

In Shops: Aug 25, 2021
SRP: $3.99

Ten years after a catastrophic mission gone wrong, Denver Wallace, leader of the Suicide Jockeys – a poor, usually drunken, almost certainly mentally ill crew of monster-fighting, tank-and-aircraft-piloting suckers – must pick himself up off the proverbial and literal floors, slap his estranged, desperately-fractured team back together, and right what once went wrong.

PopCultHQ’s Comic Book Review:
SUICIDE JOCKEYS #1

Yo! Sometimes the comic book medium blows me away at what “can be” as it pertains to storytelling (visual & artistic). The newest title to come from publisher Source Point Press is a prime example. It’s filled from cover-to-cover with spectacular visuals, brilliant pacing, and an overall satisfying experience come book’s end. And since it’s from The 80’s aficionado Rylend Grant, you can expect some fun Easter eggs and nods across pop culture in this debut issue. How many can you find?

Being a Tokusatsu comic through and through, and given its inspiration of classic Japanese action television like Ultraman and Super Sentai, writer Grant partnered with Tokusatsu historian/expert Brad Warner, who previously worked for over a decade in Japan as an executive for Tsuburaya Productions. This alone should garner the respect and assured authenticity of the source material.

And let’s not forget…this creative team is the same group of creators who put together a visual masterpiece and received a Ringo Award for ABERRANT. This team not only knows how to put out some top-notch material, collectively they are a winning formula.

Writing: One of Rylend’s fortes has always been his delivery of a “Present Day” tale interwoven with flashbacks filled with backstory. It makes for some next-level, intelligent storytelling – just as it did with ABERRANT, BANJAX, and both of his crowdfunded projects (THE JUMP, THE PEACEKEEPERS). It’s extremely effective and makes for a better and more engaging story. And in this first issue, Grant’s approach, delivery, and prowess practically leap off the page. You’ll be in it up to your beans and franks.

I think what excites me the most about SUICIDE JOCKEYS is that Rylend has a larger ensemble to play with, the wide-open possibilities of monsters he could introduce, and getting to tinker with spacetime. I really cannot wait to see where Grant takes the Jockeys in this gorgeous, sci-fi adventure.

Art: Davi Leon Dias seems to just get better with every project he works on. Really making a mark for himself in Grant’s ABERRANT and THE PEACEKEEPERS, and his stunning commission our Green Lantern Challenge, Davi’s work here in the science fiction-fueled SUICIDE JOCKEYS really blows open the door on the range of the artist. Bold, striking linework coupled with a Tokusatsu flair, Dias has the visual on lock with this title.

Some of the fun viewing, for me, of his artwork comes from the convention scene. He brings that essence of a comic con and convention-goers so beautifully. It’s fun, it’s relatable, and just fantastic to see brought to life. And his portayal of some famous con celebs is spot-on. Never a dull moment when it comes to Davi’s illustrations and it really propels this creator into another level.

Colors: I could sit and marvel at Iwan Joko Troyono’s colors all day. He brings such a warmth to every panel, be it with character interactions or any given scenery. He never goes overboard or fills pages with in-your-face intense colors. Rather, he makes for a perfect compliment to Davi’s art, allowing the artist’s work to really shine. Iwan is a respectful creator who enhances all the fine points of every panel. From explosions to the massive war machines and the science fiction components throughout, Triyono impressively delivers a remarkable feel of the issue.

Letters: HdE, aside from being a talented creator, excels in his delivery and placements throughout any comic book with which he letters. SUICIDE JOCKEYS is a prime example. His style and artistic prowess is on full display as he captures so many aspects of the reading experience: assisting with the pacing, an attractive delivery, and really hitting home important aspects of Grant’s script. The captions add depth to the internal dialogue of Denver Wallace and accentuate the mood of any given panel. It’s always a joy knowing that going into any of Rylend’s books, you are guaranteed a high-level of quality and some of the best lettering on the indie scene seeing HdE’s name attached to the project. He’s an incredible team player who always brings it and this latest series showcases it superbly.

Overall Assessment:

You want action? Got it. Gripping storytelling? Check. Love dabbling with timelines and exciting sci-fi goodness? Look no further. SUICIDE JOCKEYS delivers on every level and is going to make a HUGE impact upon release. It’s mechs, monsters, mayhem, and sci-fi madness all rolled into one kick-ass premiere issue, guaranteed to make every reader a fan. Source Point Press has a monster of a series on their hands and you don’t want to miss it! #JockeyGoals

Rating:

5 out of 5 Stars

And be sure to check out Rylend Grant’s podcast THE WRITER’S BLOCK with writer David Avallone!

Writer – Rylend Grant

Artist – Davi Leon Dias

Colorist – Iwan Joko Triyono

Letterer – HdE

Publisher – Source Point Press

August 17, 2021 1 comment

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[Comic Book Review] IDW’s GODZILLA: Unnatural Disasters TPB

by Joshua Winchester May 26, 2021

written by Joshua Winchester

PopCultHQ reviews GODZILLA: Unnatural Disasters TPB from IDW Publishing. Available May 26th, the creative team for this trade paperback features writing by Jeff Prezenkowski, Jon Vankin, Mike Raicht, Chris Mowry, and Bobby Curnow, art from Matt Frank, Simon Gane, Tony Parker, E.J. Su, and Dean Haspiel, colors by Josh Perez, Ronda Pattison, Ian Herring, and Priscilla Tramontano, and letters from Chris Mowry.

Here is PopCultHQ’s Spoiler-Free Review of…

GODZILLA: Unnatural Disasters TPB

“The Underdog” featuring Anguirus

Story by Matt Frank & Jeff Prezenkowski
Script by Jeff Prezenkowski
Art by Matt Frank
Colors by Josh Perez
Letters by Chris Mowry

“Lifespan” featuring Rodan

Story by Jon Vankin
Art by Simon Gane
Colors by Ronda Pattison
Letters by Chris Mowry

“Secrets” featuring Titanosaurus

Story by Mike Raicht
Art by Tony Parker
Colors by Ian Herring
Letters by Chris Mowry

“Smog of War” featuring Hedorah

Script by Chris Mowry
Art by E.J. Su
Colors by Priscilla Tramontano
Letters by Chris Mowry

“From a Great Height” featuring Kumonga

Script by Bobby Curnow
Art by Dean Haspiel
Colors by Ronda Pattison
Letters by Chris Mowry

Cover Artist: James Stokoe

The King of the Monsters is back in this compendium collecting three series: Legends, In Hell, and Rage Across Time!

In a world where monsters roam freely, some stories have been lost to time… until NOW! In Legends, the kaiju of Godzilla’s fearsome rogues’ gallery get the spotlight. Featuring Anguirus, Rodan, Titanosaurus, Hedorah, and Kumonga!

Then, meet Godzilla’s greatest adversary of all time–the impossible tortures of Hell! It’s a monster battle that takes you through the depths of the underworld.

Move over dinosaurs… monsters used to rule the planet! In Rage Across Time, travel to different time periods to examine the origin of myths that fueled nightmares: Feudal Japan, ancient Greece, medieval England, and classic Rome!

PopCultHQ’s Comic Book Review:
GODZILLA: Unnatural Disasters TPB

Godzilla, mightiest of all the movie monsters, is a creature whose influence has touched the lives of many over the years. As both a source of inspiration and a means for telling new tales, it is safe to say that he will always remain a fixed idea in the hearts and minds of pop culture fans throughout the ages. Now the time has come to see what happens when the might of Godzilla reaches down through the ages. He is a force of nature nothing can stop. It is time to get ready for Godzilla: Unnatural Disasters.

Writing: One of the things that is fun about TPBs like this is that a lot of really bright creatives come together to contribute to the project. That can also be a bit of a detriment as well, because while the teams are great, their playbooks are less so. There are some really strong stories/scripts in this book. Not only do they challenge the overall concept of Godzilla as a monster, they do it in a way that puts the beast out of its usual setting into different times and places. Sadly, some of said stories/scripts, while terrific initially, don’t pan out the way one expects them.

Art: That same creative joining which brings the different groups together to work on a book like Godzilla: Unnatural Disasters, brings in lots of different artists. Each of them clearly talented individuals. However, some of the art, like some of the scripts, just doesn’t fit within the wheelhouse of telling Godzilla stories. Readers, art lovers, and Godzilla fans will for sure appreciate one thing – the different takes on the King of the Monsters and some of the crazy stuff the big guy gets up to thrashing his way across the printed page.

Colors: Color choices for the various stories were intriguing. Lots of different hues for the hide, spines, and atomic breath that are associated with giant monster movies. And especially the color palettes utilized for other major monsters that show up along the way. Plus some really terrific scenery and fights. Full-on, epically-realized, giant monster mayhem, rendered in gorgeous colors carefully chosen to fit the tales within.

Letters: Lettering can be a challenging task. Whether it’s a single issue, a whole series or, in this case, a trade paperback full of stories, art, and colors by different teams. But one thing is certain, the individual who took on the task to letter this book did one heck of a job. And clearly got to have some fun as well. After all, it takes a certain kind of talent to letter Godzilla bellowing out that mighty cry as he trashes major metropolitan areas. Top-notch job to a top-notch letterer.

PopCultHQ’s overall assessment:

While there are things about this book that don’t line up 100%, it has a lot of heart to it. The groups that contributed stories to it put a lot of effort into their parts. Everyone worked hard and gave it the full-on, good ol’ college try to bring these different Godzilla stories to life. And in spite of the fact that some of the scripts and art missed the mark for this reviewer, let it be known that it was still a very enjoyable read.

PopCultHQ’s Rating:

PopCultHQ Rating – 4 Stars

4 out of 5 Stars

Purchase GODZILLA: Unnatural Disasters TPB online:

About IDW Publishing:

IDW Publishing stands proudly at the forefront of printed visual entertainment, cultivating a formidable library of world-renowned licensed brands and creator-owned original IP. Its diverse array of comic books, graphic novels, and art books deliver reading enjoyment to fans of all ages. Its award-winning imprints The Library of American Comics, Yoe! Books, and Artist Editions preserve the valuable cultural history of the sequential art medium, while titles under the critically acclaimed Top Shelf and Black Crown banners celebrate fiercely independent voices. IDW Publishing is a division of IDW Media Holdings, Inc. (OTCQX: IDWM), a fully integrated media company with robust offerings in publishing, tabletop gaming, multimedia entertainment, and art exhibition via the San Diego Comic Art Gallery.

May 26, 2021 0 comment

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[Comic Book Review] IDW’s TEENAGE MUTANT NINJA TURTLES: Urban Legends Vol. 2 TPB

by Joshua Winchester May 5, 2021

written by Joshua Winchester

PopCultHQ received advance review copy of TEENAGE MUTANT NINJA TURTLES: Urban Legends Vol. 2 TPB from IDW Publishing. Available May 5th, the creative team for this book features writing by Gary Carlson, art from Frank Fosco, inks by Mark Heike & Frank Fosco, colors by Adam Guzowski, and letters from Pat Brosseau & Shawn Lee.

Here is PopCultHQ’s Spoiler-Free Review of…

TEENAGE MUTANT NINJA TURTLES: Urban Legends Vol. 2 TPB

Writer: Gary Carlson
Artist: Frank Fosco
Inks: Mark Heike & Frank Fosco
Colorist: Adam Guzowski
Letterers: Pat Brosseau & Shawn Lee

Cover Artists: Kevin Eastman w/ Tomi Varga

FC • 296 pages • $29.99 (SRP)

Collects the final 13 issues, #14–26, of the series.

This is it, fans! You demanded it–the entire Image Comics TMNT run (a.k.a. TMNT Volume 3) reproduced for the first time ever in full, four-color glory, capped with three all-new issues to complete the unfinished series!

Join creators Gary Carlson and Frank Fosco as they take the Heroes in a Half-Shell on some of their most amazing, dangerous, and bizarre adventures ever… culminating in three brand-new issues by Carlson and Fosco to properly close out this long-beloved storyline at last! Long out of print and incomplete, Teenage Mutant Ninja Turtles Volume 3 is one of comics’ lost treasures, now uncovered at last and completed by the original creators.

PopCultHQ’s Comic Book Review:
TEENAGE MUTANT NINJA TURTLES: Urban Legends Vol. 2 TPB

Heroes in a half-shell, turtle power! But what happens when time marches on? Within the volume set before us is some wicked stuff that takes four familiar faces and sends them all over the crazy map. Be prepared for a finale that will send four brothers to the very edge of it all…and if they make it back, they will never be the same.

Writing: Gary Carlson has been telling great stories for years. As one of the founders of Big Bang Comics, he has plied his trade as a teller of tales all over the comics world. Now fans of both TMNT and Gary’s writing will get a real treat with this TPB. He pulls out all the stops when it comes to taking the guys and sending them into all sorts of crazy adventures. Non-stop action, surprises, and, most of all, butt-kicking as only the Turtles can dish it out, courtesy of Gary, his imagination, and the power of the written word.

Art: Frank Fosco utterly crushed it on the art for this TPB. Just as he had done for the entire series, taking it all the way to the end. There are admittedly some strange artistic choices in this book, but that is keeping well to the themes of the overall series. Strange stories call for strange artwork. One of the things this reviewer found to be very enjoyable about Frank’s work was how far he was willing to go to alter the Turtles, but not totally change them. After all, once a Turtle, always a Turtle.

Inks: Slick ink-work by the terrific twosome of Mark and Frank. There is heavy usage of inks for the shadows, which is right up the alley of TMNT in general. Heroes that fight in the shadows need shadows that feel like liquid darkness. Not to mention inks that help their forms stand out whenever they choose to be in the light. Job well done by these two, stellar job well done.

Colors: Adam went all-out for the color choices in this last leg of the series (TPB). A lot of them are more muted, which keeps with the overall pace and feel of the stories and artwork. Bright, flashy colors don’t have a place in a TMNT book that takes readers down strange/dark paths. Hats off to Adam for keeping the pace with his work as colorist and for bringing it home in meshing the artwork and colors together in a glorious, crazy symphony.

Letters: The level of intensity in the whole book and the series has been high. Naturally, that means the lettering needs to reflect that. Pain, loss, anger. Emotions that run the gamut throughout. Pat and Shawn deliver on lettering that channels those three particular feelings beautifully, especially with the dialogue from the Turtles. Readers will be able to feel the hurt, the betrayal, everything. This takes wicked skill and these two gentlemen have got it in spades.

PopCultHQ’s overall assessment:

Cowabunga! Just an absolutely spectacular book. Weird, crazy, but stacked with stories, art, inks, colors, and lettering that give the entire thing such a great vibe. Whoever picks up this book, whether as a long-time TMNT fan or a newcomer, are in for a treat. Terrific job from the creative team and their efforts here.

PopCultHQ’s Rating:

5 out of 5 Stars

Purchase TEENAGE MUTANT NINJA TURTLES: Urban Legends Vol. 2 TPB online:

About IDW Publishing:

May 5, 2021 0 comment

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[Comic Book Review] IDW’s JUDGE DREDD: False Witness TPB

by Joshua Winchester May 5, 2021

written by Joshua Winchester

PopCultHQ received advance review copy of JUDGE DREDD: False Witness TPB from IDW Publishing. Available May 5th, the creative team for this book features writing by Brandon Easton, art from Kei Zama & Silvia Califano, colors by Eva de la Cruz, and letters from Shawn Lee.

Here is PopCultHQ’s Spoiler-Free Review of…

JUDGE DREDD: False Witness TPB

Writer: Brandon Easton
Artists: Kei Zama & Silvia Califano
Colorist: Eva de la Cruz
Letterer: Shawn Lee

Cover Artists: Kei Zama w/ Eva de la Cruz

FC • 96 pages • $15.99 (SRP)

Collects JUDGE DREDD: False Witness #1-4

Justice Academy drop-out Mathias Lincoln always survived by sub-legal means, but after uncovering a vast conspiracy, he finds himself pursued by legendary lawman Judge Dredd!

Get ready for a street level look at justice in Mega-City One as one person fights to expose the darkest secrets of the rich and powerful in a thrilling mystery set against a backdrop of media manipulation and social unrest. While on a job for a rich client, Justice Academy drop-out and professional fixer Mathias Lincoln makes a horrific discovery–children are disappearing, and the conspiracy stretches from the wastes of the Cursed Earth all the way to the halls of power in Mega-City One.

PopCultHQ’s Comic Book Review:
JUDGE DREDD: False Witness TPB

Welcome to Mega-City One. A place of crime, anarchy, and where there is only one true form of justice anymore. The justice of the Street Judges. But what happens when that justice is tainted and the contamination has spread from the lowest levels to the highest halls of the city? Be ready to run, because this is one story where everyone is looking for answers and to trust anyone could be the end.

Writing: Whenever there’s new crime brewing in Mega-City One, the dedicated members of the Street Judges deal out law and order the only way acceptable…with extreme prejudice. But what the Judges often overlook is the people who become ground under the heels of law and crime. Brandon takes dedicated readers from the war-torn chaos of Dredd’s crusade against injustice and shows everyone the consequences of his work. The people who are left behind, forgotten, or just plain beaten down. It’s a trip down to the lower levels of Mega-City One, and nobody is going to want to miss this trip.

Art: Sleek and well-drawn, with just the right amount of nitty-gritty that one would expect from any Judge Dredd comic. These are the words that this reviewer would use to best describe Kei and Silvia’s artwork for Judge Dredd: False Witness. Oh and violent. It just wouldn’t be a good Dredd book without high levels of ‘ultra-violence’. In all seriousness, the art is fantastic. Rich, detailed, and, like the aforementioned violence, intense. Kei and Silvia work well together taking Brandon’s script and putting their names down as the latest in the long line of artistic persons who have brought the world of Dredd and Mega-City One to life.

Colors: Eva worked wonders on choosing the various colors for the book. The different hues worked well in concert with Kei and Silvia’s artwork, enhancing it and bringing it further to life. For the Judges and their uniforms, in particular Dredd’s, the color choices are very on-par with what has been done in the past. That same level of nitty-gritty that exists within the art also exists within the colors. There is a cohesive unity at play here with Eva’s work as colorist, which is both subtle and utterly fantastic.

Letters: Judge Dredd is a man of words. They are always righteous, full of dedication to the law and above all else…they could very well be the last words a person hears. To articulate that intensity, as well as the various dialects, back-talks, and chatters of Mega-City One, requires a letterer who understands the power of words. In this case, it is Shawn Lee, a person who is a master of the written word and letterer extraordinaire. Shawn’s work on other projects establishes his credentials and why he was the right choice to work on this book.

PopCultHQ’s overall assessment:

Judge Dredd and his world of chaos, law, and insane futuristic adventures are always a treat to read. ‘False Witness’ is certainly a book that lives up to the long tradition of terrific stories told about him over the years. Thanks to the work of a terrific creative team, another story is told that adds to the myth of Dredd and adds up the body count even more.

PopCultHQ’s Rating:

5 out of 5 Stars

Purchase JUDGE DREDD: False Witness TPB online:

About IDW Publishing:

May 5, 2021 0 comment

Comic Books Comic Reviews HC independent Comic New Comic Book Day

[Comic Book Review] BOOM! Studios’ MIGHTY MORPHIN/POWER RANGERS #1 Limited Edition HC

by Joshua Winchester April 20, 2021

written by Joshua Winchester

PopCultHQ received advance review copy of MIGHTY MORPHIN/POWER RANGERS #1 Limited Edition HC from BOOM! Studios. Available April 21st, the creative team for this book features writing by Ryan Parrott, art from Marco Renna and Francesco Mortarino, and colors by Walter Baiamonte, Katia Ranalli, and Raúl Angulo, and letters by Ed Dukeshire.

Here is PopCultHQ’s Spoiler-Free Review of…

MIGHTY MORPHIN/POWER RANGERS #1 Limited Edition HC

Writer: Ryan Parrott
Artist: Marco Renna, Francesco Mortarino
Colorist: Walter Baiamonte, Katia Ranalli, Raúl Angulo
Letterer: Ed Dukeshire
~

SRP: $24.99

Collects Mighty Morphin #1 and Power Rangers #1.

Tommy Oliver, the White Mighty Morphin Power Ranger, has formed a new team of Power Rangers including… the all-new Green Ranger! But just who is under the mask and what does that mean for the future of the team?

And the Omega Rangers embark on a new mission to save the universe from the unimaginable threat of the Empyreals. But they’ll need to bring in the last person they ever wanted — the villainous Lord Drakkon. Can their long-time enemy be trusted… or is he playing an even more dangerous game of his own?

PopCultHQ’s Comic Book Review:
MIGHTY MORPHIN/POWER RANGERS #1 Limited Edition HC

Over the years, and thanks to Boom! Studios, there has been a resurgence in Power Rangers comic books. Brilliant, new stories have been brought into the world, pitting teens with attitude against new foes and taking them on new adventures. Now it is time for another chapter in the Power Ranger saga. Old friends, familiar foes, and a strange new threat. Do you dare suit up for this latest epic? Well, get ready…it’s Morphin’ Time!

Writing: Whenever a series based around a long-standing, insanely popular team like the Power Rangers comes out, fans are no doubt going to be skeptical of the stories that are put before them. Well, Ranger fans of all ages can rejoice. The work here from Ryan is 100% mighty and most excellent! He tackles the world that has already been established and puts new/old elements into play that flows together in a fantastic, cosmic rush. The script for this HC is enough to get people interested and hold their interest, but doesn’t give everything away. It’s everything that anyone can want in a Power Rangers story and more.

Art: From an artistic perspective, Marco and Francesco delivered absolutely gorgeous art. Rich in detail, eye-popping action, fantastic visual expression rendered in a believable fashion. A very noteworthy thing with the duo’s art for this HC is the costumes for all of the Rangers. Like in the various TV shows and movies, the costumes are as much signifiers of the individual Rangers and their abilities as they are armor/uniforms. These two fine fellows, with their skill and craft, have presented the world of the Power Rangers and all its high-flying adventure in a wonderful and amazing style.

Colors: Every page of this book is abounding in color. Not one panel, costume, or person comes across as dull or lackluster. As it was with the artwork and the down-right delightful rendering of the costumes, so too do this intrepid trio of colorists ply their skill in concert with the artists. Walter, Katia, and Raúl nailed it all the way. With the new Green Ranger, it should be mentioned that the color scheme is, of course, similar to that of the original TV series, but also different as well. Darker hues for the green, and brighter gold tones for the armor and accents on the boots and gloves. There’s a new Green Ranger in town and his colorful costume is given its due courtesy of the colorist team.

Letters: Lettering by Ed Dukeshire means that there is always an emphasis on quality. With Power Rangers, that quality shines forth like the radiant white/gold of the Saba wielded by Tommy. One of the best moments of Ed’s lettering may not seem like a lot, but it means so much to lifelong Ranger fans. It’s a page where the teens transform. All of them shout-out their Morphing creature. This reviewer could honestly hear the cast in his head and the original soundtrack as well. That is the power of great lettering. A power unleashed by Ed Dukeshire.

PopCultHQ’s overall assessment:

This HC is downright Morphenomenal! Amazing work from a dedicated team of creatives, and tons of gorgeous covers and bonus art included. Setting the stage for new things to come for the Power Rangers, this HC is one that fans across the generations will enjoy to read over and over. Step into the world of the Power Rangers. Don’t forget your Morpher and Zord!

PopCultHQ’s Rating:

5 out of 5 Stars

Purchase MIGHTY MORPHIN/POWER RANGERS #1 Limited Edition HC Online:

About BOOM! Studios
BOOM! Studios was founded by Ross Richie in 2005 with the singular focus of creating world-class comic book and graphic novel storytelling for all audiences. Through the development of four distinct imprints—BOOM! Studios, BOOM! Box, KaBOOM!, and Archaia—BOOM! has produced award-winning original work, including Lumberjanes, The Woods, Giant Days, Klaus, and Mouse Guard, while also breaking new ground with established licenses such as WWE, Mighty Morphin Power Rangers, Cartoon Network, and The Jim Henson Company properties. BOOM! will also bring their original series to life through unique first-look relationships with 20th Century Fox for film and with 20th Television for the small screen. Please visit www.boom-studios.com for more information.

April 20, 2021 0 comment

Comic Books Comic Previews Comic Reviews New Comic Book Day

[Comic Book Review] Marvel’s WAY OF X #1

by Jason Bennett April 19, 2021

written by Jason Bennett

PopCultHQ received an advance review copy of WAY OF X #1 from Marvel Comics. Available April 21st, the creative team for this book features writing by Si Spurrier, art from Bob Quinn, and colors by Java Tartaglia, and letters by Clayton Cowles.

Here is PopCultHQ’s Spoiler-Free Review of…

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WAY OF X #1

Writer: Si Spurrier
Artist: Bob Quinn
Colorist: Java Tartaglia
Letterer: Clayton Cowles
Design: Tom Muller

Cover Artists:
Cover A: Giuseppe Camuncoli w/ Marte Gracia
Cover B: Terry Dodson w/ Rachel Dodson
Cover C: Federico Vicentini w/ Erick Arciniega (Wraparound Variant)
Cover D: Tom Muller
Cover E: Skottie Young

THE WAY TO THE FUTURE OF X!

Mutantkind has built a new Eden… but there are serpents in this garden. Some mutants struggle to fit in. Some mutants turn to violence and death. And the children whisper of the Patchwork Man, singing in their hearts…Only one mutant senses the looming shadows. Snared by questions of death, law and love, only NIGHTCRAWLER can fight for the soul of Krakoa. Only he – and the curious crew he assembles – can help mutants defeat their inner-darkness and find a new way to live. The WAY OF X.

PopCultHQ’s Comic Book Review:
WAY OF X #1

Writing:

Krakoa, the living island, religion, Crucible, the Patchwork Man, and Nightcrawler struggling with the moral ramifications of resurrection. There are a lot of dynamics put in place in this premiere issue, but writer Spurrier gives each of them enough attention to whet your appetite and have you craving for more. Typically, you are used to having one main narrative for which an issue is based. But with WAY OF X #1, it’s rife with side-narratives, really adding to the experience for the reader. More bang for your buck.

I really enjoy the layout of Si’s storytelling. His pacing, coupled with the dynamics he’s allowed to play with, was delivered well and had a hearty feel. He’s not taking something and stretching it out the entire issue. He’s building and expanding this universe, he’s exploring new grounds, and showcasing the heart of Kurt Wagner.

Art:

Nightcrawler has never looked better! Artist Bob Quinn shows in WAY OF X #1 how committed, how invested he is in this title. He gives the characters enjoyable qualities; his attention to detail and spot-on facial expressions are a sight to behold. Bob doesn’t skimp on the backgrounds in any of the panels, drawing out this world, this environment. He is really shaping the lush landscape of Krakoa, so much so that it resonates with a sense of peace and safety. A place where you can fully accept this living island as a safe haven for those with the X-gene.

It also feels as if Quinn not only wants to provide high-quality illustrations, but he seems to be having fun drawing these characters and really in his element amongst mutants. Bob gives such definition, breathes so much life in this Nightcrawler’s team, that you cannot help but get excited for the future of this series.

Colors:

Colorist Java Tartaglia was a brilliant choice to be a part of this creative team. All throughout this book, everything felt right. The right tone, ambience, lighting. It never distracted, only complimented and lifted up Quinn’s linework. Tartaglia has such an eye for highlighting, accentuating, and giving life to everything on the pages. Java helps you feel when there’s excitement, when a specific emotion should be experienced. I’ve looked ahead and seen that Quinn is illustrating issues two and three of WAY OF X. Here’s to hoping Tartaglia’s colors continue to grace the pages of this series. It’s truly top-notch.

Letters:

Clayton Cowles has exceptionally provided the characters in WAY OF X with voices the reader can hear. From placing emphasis throughout the dialogue to aid in the tone of each person’s voice, to beautifully stacked dialogue bubbles, as well as guiding the reader’s eyes with his placements, the letterer delivers another instance of the importance of good lettering.

He also had the luxury of Quinn’s smart layout, which appear to give the letterer ample room for dialogue placement without detracting from any significant imagery. Between the noises created by Nightcrawler & Blink’s teleportation abilities and the moments of intense sound effects, Cowles put his signature style all over WAY OF X #1. A class act by an industry professional, Clayton is an asset to any creative team.

PopCultHQ’s overall assessment:

WAY OF X #1 makes for a great entry or jump-on point for readers unfamiliar with the last few years of X-titles. It establishes the story right away and is interspersed throughout with a variety of components which will build in subsequent issues. The team assembled by Nightcrawler could make for some interesting dynamics over the next couple of issues.

WAY OF X #1 features a number of cutaways, transitions featuring written excerpts, newspaper stories, field notes, and other Krakoan information. These are nice, informative transitions and add a layer to an already jam-packed issue. You will also find plently of juicy morsels between the covers of this debut issue, little teases which raise questions as well as pique your interest. If the delivery continues at this level of excellence, WAY OF X could be a defining chapter regarding mutantkind.

PopCultHQ’s Rating:

4.5 out of 5 Stars

Purchase WAY OF X #1 Online:

Publisher – Marvel Comics

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April 19, 2021 3 comments

Comic Books Comic Reviews HC independent Comic New Comic Book Day

[Comic Book Review] Image Comics’ CRIMINAL Deluxe Edition Vol. 2 HC

by Joshua Winchester April 14, 2021

written by Joshua Winchester

PopCultHQ received advance review copy of CRIMINAL Deluxe Edition Vol. 2 HC from Image Comics. Available April 14th, the creative team for this book features writing by Ed Brubaker, art from Sean Phillips, and colors by Val Staples and Dave Stewart.

Here is PopCultHQ’s Spoiler-Free Review of…

CRIMINAL Deluxe Edition Vol. 2 HC

Writer: Ed Brubaker
Artist: Sean Phillips
Colorists: Val Staples & Dave Stewart

Cover Artist: Sean Phillips

FC • 440 pages • $49.99 (SRP)

The second oversized hardback of the award-winning crime series from ED BRUBAKER and SEAN PHILLIPS is finally here! The first edition has gone through four printings, in sellout after sellout, and now the rest of BRUBAKER and PHILLIPS’ noir masterpiece is collected in the same format. Collecting “BAD NIGHT,” “THE SINNERS,” and “THE LAST OF THE INNOCENT”—along with short stories, behind-the-scenes pieces, art, and articles, all previously uncollected. Don’t miss out on this beautiful package from the bestselling team behind such hits as Incognito and FATALE.

PopCultHQ’s Comic Book Review:
CRIMINAL Deluxe Edition Vol. 2 HC

Get the lead out and be ready for another literary thrill ride. CRIMINAL Deluxe Edition Vol. 2 HC brings more from the brilliant minds of a great creative team to bear. If anyone thought the first HC was a great read, this second volume is just as great. Be prepared for even more intrigue, danger, and pulling back the curtain on what it takes to force someone over the edge…and becoming Criminal.

Writing: There is always something very stark and grim about Brubaker’s writing. Especially when it comes to the works inside CRIMINAL Vol. 2. The ‘heroes’ of these tales come across as ordinary folks. Yet they have dark secrets underneath. Pasts that bubble in their lives like tar coming through the cracks on a hot summer’s day. Pasts full of pain, anger, despair, you name it. A cocktail of human emotion that tastes as bitter as the day is long. No one quite does stories of this nature like Ed Brubaker.

Art: Sean’s art in Vol. 2 is the same high quality as it was from the first. Noir-tinged, with shadows to add a darkness to these already dark stories. Everything about the art is fantastic. Sean is one of the great artists of the Modern Age of Comics. These works with Ed, it is like staring at film strips of the noir films of time’s past. The sort of things one recalls with a fondness for the gripping adventures of Philip Marlowe, Sam Spade, and Miguel Vargas. Every page is chock-full of rich detail and delightful homages to past works that are firmly rooted in the minds of readers.

Colors: Val Staples teaming up with Dave Stewart on color work for the second volume is fun. Both of these gentlemen are dedicated masters of their craft. Working in concert to add even more life to Sean Phillips’ artwork. If anyone has any doubts as to what these two colorists are capable of, go check out other books where they have plied their trade, come back to this HC, and read it again. It will become crystal clear that in the vast pantheon of colorists in the industry, Val and Dave are two of the best.

PopCultHQ’s overall assessment:

A second HC volume of more work from the creative team of Ed Brubaker and Sean Phillips. That is like receiving birthday and Christmas presents on the same day. These two continue to knock it out of the ballpark. Stories, art, and of course, the colors. Nothing about this book is boring or dull. As the companion piece to Vol. 1, both of these are fine additions to anyone’s reading library.

PopCultHQ’s Rating:

5 out of 5 Stars

April 14, 2021 0 comment

Comic Books Comic Reviews HC independent Comic New Comic Book Day

[Comic Book Review] Image Comics’ CRIMINAL Deluxe Edition Vol. 1 HC

by Joshua Winchester April 14, 2021

written by Joshua Winchester

PopCultHQ received advance review copy of CRIMINAL Deluxe Edition Vol. 1 HC from Image Comics. Available April 14th, the creative team for this book features writing by Ed Brubaker, art from Sean Phillips, and colors by Val Staples.

Here is PopCultHQ’s Spoiler-Free Review of…

CRIMINAL Deluxe Edition Vol. 1 HC

Writer: Ed Brubaker
Artist: Sean Phillips
Colorist: Val Staples

Cover Artist: Sean Phillips

FC • 440 pages • $49.99 (SRP)

A fantastically designed and printed book showcasing the Eisner and Harvey Award-winning crime comics from the creators of Sleeper and Incognito, this oversized, deluxe hardback edition features CRIMINAL, books 1-3: “COWARDS,” “LAWLESS,” and THE DEAD AND THE DYING. Also features many extras, including a CRIMINAL short story and the never-before-printed, five-page “movie trailer in comics form” that BRUBAKER and PHILLIPS created to announce the series online, plus illustrations, selected articles, behind-the-scenes glimpses, painted covers, and much more! Features an introduction by comics legend and Watchmen artist DAVE GIBBONS.

Collects “COWARD,” “LAWLESS,” “THE DEAD AND THE DYING,” and more!

PopCultHQ’s Comic Book Review:
CRIMINAL Deluxe Edition Vol. 1 HC

Only the good die young. But the bad do as well. Crime never pays, yet the criminals keep on trying again and again. Fans of the dynamic duo of Ed Brubaker and Sean Philips are in for a treat with the CRIMINAL Deluxe Edition Vol. 1 HC. Page after page of hair-raising stories from a team that has given the industry some of the finest crime comics to date.

Writing: Ed Brubaker. A first-class writer who has played around with so many different comic genres, one could argue he is a regular literary Renaissance man. He’s played in the worlds of both Marvel and DC, always to great success. Yet some of his most defining work as a writer has always been works like CRIMINAL. Revisiting the first three stories in the series in this first volume is a veritable walk down memory lane. Though time has passed and continues to pass, Ed’s writing still remains as fantastic as it always has been and shall continue to be.

Art: Sean Philips and Ed Brubaker. One of the many writer/artist teams that have carved out a wide swath of success with their collaborations over the years. Seeing Sean’s art from the first three CRIMINAL stories again brought such a smile to this reviewer’s face. His art style is 💯; uniquely fantastic and always so visually immersive. Sean’s art speaks volumes on its own. Combined with Ed’s stories, the artwork takes on a whole new life of its own.

Colors: Val Staples’ long association with Philips and Brubaker is the final piece of the puzzle. The work he does as colorist to add to the already grim and gritty worlds that are put forth in this HC are magnificent. It puts to mind what finished storyboards for a movie or show are/should look like. Modern crime epics or down=and-dirty tales of woe. It goes without saying, Val Staples is a master colorist, and this HC is one of his masterpieces.

PopCultHQ’s overall assessment:

Making the return journey into the world of Brubaker/Philips/Staples was a joyous ride. Aside from the first three amazing stories from this collaboration, the rest of the HC is chock full of ‘extras’ for fans/readers. A book of this caliber not only demands to be read over and over, it needs to be placed in a spot of honor on a shelf or coffee table. Time to journey into the world of the criminal once more. Don’t forget to bring this book with you.

PopCultHQ’s Rating:

5 out of 5 Stars

April 14, 2021 0 comment

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PopCultHQ’s Comic Book Review:GODZILLA: Unnatural Disasters TPB

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4 out of 5 Stars

Purchase GODZILLA: Unnatural Disasters TPB online:

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PopCultHQ’s Comic Book Review:TEENAGE MUTANT NINJA TURTLES: Urban Legends Vol. 2 TPB

PopCultHQ’s overall assessment:

PopCultHQ’s Rating:

5 out of 5 Stars

Purchase TEENAGE MUTANT NINJA TURTLES: Urban Legends Vol. 2 TPB online:

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PopCultHQ’s Comic Book Review: JUDGE DREDD: False Witness TPB

PopCultHQ’s overall assessment:

PopCultHQ’s Rating:

5 out of 5 Stars

Purchase JUDGE DREDD: False Witness TPB online:

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PopCultHQ’s Comic Book Review:MIGHTY MORPHIN/POWER RANGERS #1 Limited Edition HC

PopCultHQ’s overall assessment:

PopCultHQ’s Rating:

5 out of 5 Stars

Purchase MIGHTY MORPHIN/POWER RANGERS #1 Limited Edition HC Online:

Here is PopCultHQ’s Spoiler-Free Review of…

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PopCultHQ’s Comic Book Review: WAY OF X #1

PopCultHQ’s overall assessment:

PopCultHQ’s Rating:

4.5 out of 5 Stars

Purchase WAY OF X #1 Online:

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PopCultHQ’s Comic Book Review:CRIMINAL Deluxe Edition Vol. 2 HC

PopCultHQ’s overall assessment:

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5 out of 5 Stars

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PopCultHQ’s Comic Book Review:CRIMINAL Deluxe Edition Vol. 1 HC

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